May 19, 2012

@IndustryWorks | Beyond Your Back Yard

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Today’s market is so exiting for Indie artists and labels. If you have followed my columns over the years, I have never been a big FAN of Major labels.  The music industry is like any other business, create/find great product and build the brand.  Consumers will follow and so will the big companies.  The business today is really no different than 50-60 years ago when there were no Major labels and music was sold at the local Woolworths or Mom and Pop record shop.  We are in an industry that no longer gives out “Stupid-Idiotic” deals for millions of dollars. Majors are letting go the BIG Dogs who take salaries that are not allowing the companies much less the artists to make money. So where does that leave you? All I can say is sky is the limit. Look far beyond your own back yard.

 

The music business today has so many outlets for artist and indie labels. The Internet provides options for marketing, sales, advertising, streaming and promotion (song and video play) not just in the US, but worldwide. Music can go father, faster than they did five years ago much less 50-60 years ago. It just takes patience, persistence and planning.   Most of all it takes GREAT MUSIC!  That is what Indies are known for. Not the commercial garbage that is force fed down people’s throats, but quality music that speaks to the mind, body and soul.  When you attempt to sound like someone or fit into a genre, then your niche can not be exploited.  Artists and labels have visions. They have a message to extend beyond themselves and to allow the masses to hear.

 

It may seem like a vast endeavor to take on, but looking beyond where you are and into other countries may allow your bank account to grow. If big business can do it, why can’t you?

 

The portals to other countries allow you to extend beyond your block, neighborhood, town, city, county, even the US. Many times we Americans are so caught up in our own views and self that we cannot understand much less attempt to listen to the creative artistry and real life that is in front of us. We have to be “better” than the next person. We have to find that “stunt” or make “attention” fall on us in order to feel like we are successful.  The reality is, we are successful with each step we take towards our goals in this business.

I have lived in many cities during my career in the Music Business. What is funny is that I hear the same thing over and over.  “My city won’t support…” or “I have to go somewhere else in order to make it happen then come back here…” Well in many ways I agree.  If you want something different, then you must do something different.  Take a chance and explore new areas, create new opportunities, build outside of your comfort zone. Whose says that you cannot build a business for your sound in Brazil, Japan, and Argentina? Study the culture.  Does your story or sound fit them? Can it make sense? If so, just get out and learn something new.

 

I have seen DJ’s from Chicago tour Europe and make tens of thousands of dollars in a weekend and come back home to know one really even knowing them. I have seen Reggae artist that the US will not support go on 2 month tours to Asia and make what we make in two years.  Why not take the chance and see what is really out there opportunity wise.

Be it Rap, Hip Hop, Rock, or R&B if you are making GREAT MUSIC then find those who believe in it and support your sound and vision. Don’t be afraid to communicate with others that are beyond your back door. You may find opportunities that extend beyond just getting sales such as touring, endorsements, and collaborations. Money is money and if you can get paid for your passion and vision, who really cares where it comes from. Just make it happen.

 

7 GREAT SOLUTIONS FOR TURNING THE MUSIC INDUSTRY AROUND

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The Music Industry is not dead! People just want to hear good music instead of the one dimensional form of music they’re being force fed..

Presently The American Real Estate industry is in dire straits. The Real estate industry has been flooded with an inferior product namely sub prime loans, which has resulted into a myriad of foreclosures and declining home values.

The phenomenon with in the Real Estate industry can be paralleled with the Music industry. The music industry is also in dire straits. This is especially the case for Rap music sales. Like the real estate industry, the music industry is being flooded with sub par product. Unfortunately for the music-buying public, the level of artistic quality inherent in the overall group of artists signed to major labels appears to be in a steep decline.

The major music companies have become publicly-owned mega-corporations that have abandoned artist development for bottom line, short-term financial results. The major labels are no longer in the business of producing music; Selling CDs is the primary mission. The hit driven majors have put quantity over quality. Nowadays, you don’t necessarily have to be a talented artist or musician to be successful. Hype or promotion can make a marginal artist appear to be talented. “The artist” has become a brand that is owned and operated by the label. The corporate labels have formulated a bland, one-dimensional form of Hip-hop to control and streamline their products and services.

The end result is consumer attrition or a declining consumer base. Music consumers have come to expect 1 or maybe 2 good songs on an album. Hence, they would rather illegally download a song or buy a bootleg of the album. In the past, rap music was something you heard and experienced – it was as much a social event as a purely musical one. Many Hip Hop fans are tired of the disposability of modern rap music . They want music with some substance and a product, which is free from the shackles of blind commercialism.The majority of today’s rap music lacks any social commentary.

(Moreover, If record sales continue to decline, the new paradigm will involve giving away music for free & revenue will be derived from sponsorships.)

In 2008, More than 115,000 albums were released, but only 110 sold more than 250,000 copies, a mere 1,500 topped 10,000 sales, and fewer than 6,000 cracked the 1,000 barrier -It increasingly appears that recordings will be more like advertisements for opportunities that actually do make money: live performances, merchandise, licensing to movies, commercials and video games, ring tones, etc.

What must be done to turn the music industry around:

1. Better Customer Service

In just about every other industry, the customer comes first. It is imperative that the major labels focus on customer service and give music consumers more options. In the case of urban music, there is a lot of quality Hip hop & R&B that is not being heard.The majors must let the consumers determine what is a “hit” song. This can be accomplished via contests, give aways, and marketing surveys. .The Music Industry is not dead! People just want to hear good music instead of the one dimensional form of music they’re being force fed..

2. Institute Creative Quality Control Measures as it relates to music releases.

There is a lost art of true musicianship and feeling for the music. The heart felt lyrics which were common place in the 50′s and 60′s are largely absent in today’s music market. Creative quality control is missing. There must be an emphasis on creating better crafted songs. The creative control must even extend to record stores and distributors. Record stores rarely listen to music placed there. They don’t care what the album sounds like; they only care if it sells.

3. Hire True Music Lovers:

Currently, the record labels are saturated with number crunchers who hide behind computers. The music industry is being ran by accountants and lawyers. The record labels must go back to hiring true music lovers and creative thinkers who are willing to take calculated risks.

4. Break the Radio Monopoly

The music industry is too radio driven. In the past radio stations were staffed with actual human DJs who played music they believed in. However, over the years the “true Dj’s” were replaced by personality jocks who push a button to start some Clear Channel playlist. The majors must abandon the payola system and work with grass roots organizations to bring diversity to the airwaves.

5. Embrace Technology

There is no doubt that the music industry must now embrace technology, because this is the only way that the existing industry leaders can stay competitive in the future. The rest of the world has changed and adapted – and the music industry must now step up and do the same.

6. Emphasize fair Dealing with Artists they Sign

The major record labels appear to be more interested in complete cost recoupment rather than fair dealing. And in an act of desperation, the majors have implemented 360 deals, whereby they will receive a cut of the artist’s merchandise, tours, CD sales, endorsements, etc.

The record company bankrolls the recording and handles the manufacturing, distribution, press, and promotion. The artist gets a royalty percentage after all those other costs are repaid. The label, in this scenario, owns the copyright to the recording.
Since artists share the costs of making the album, because these costs are recoupable from their royalties, they should also have joint ownership of the masters at some point.

7. Change Business Structure

The Record labels should move away from the CD format. The labels should move to an 80% digital distribution format, which will eliminate manufacturing costs. And as a result, they can pass the savings on to the consumers in terms of lower prices.

Obviously, the cost of these services, along with the record company’s overhead, accounts for a big part of CD prices. You, the buyer, are paying for all those trucks, those CD plants, those warehouses, and all that plastic. Theoretically, as many of these costs go away, they should no longer be charged to the consumer – or the artist.

The labels should only manufacture a limited number of special edition CD’s/DVD to be sold at concerts only. These special edition CD’s/DVD’s will contain bonus songs and behind the scenes footage of the artists. The price of the concert should include the cost of the CD/DVD, to ensure that each concert goer receives the special edition CD/DVD

Written By Jesse Atkinson. CEO of Urban Threshold Enterprises Inc. and Founder of The A&R Power Summit (www.TheARPowerSummit.com) and The Annual Underground Music Awards (www.UndergroundMusicAwards.com)

 

DJs: Are We REALLY Breaking Records?

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What’s good everyone? I want to address a topic that has garnered a number of questions and concerns over the years. Are DJs REALLY breaking records? You will be surprised at some of the responses.

Over the years, our role as DJs has changed, allowing our craft to be in the forefront of the industry—however there are still a few of us that have become lazy and stale in our approach. With digital technology and the Internet, DJs in my opinion have lost some of the edge that is required. Back in the day, artists servicing records to DJs, getting on the phone, and traveling to their cities were ways for us to build relationships and effectively work records. Now with the Internet, the servicing of records to DJs, different DJ coalitions, etc. the personal touch has been lost. It now comes down to a few of us that actually reach DJs with our brand and music. What can we do to help break these records? Here are a few things that if used effectively, will give artists an edge in music distribution and radio/club play.

First, artists need to support the various DJ coalitions (Core DJs, Coast 2 Coast DJs, Hittmen DJs, Cool Runnings DJs, etc.) and their movements. Go to their sites, see what type of traffic they are generating, come up with a business model, and do some real business. These organizations are here to help artists grow and distribute their music. Once you have participated in a meet and greet or industry mixer, it’s up to you—the artist—to follow up with the DJ via email, Twitter, and Facebook. Keep building your relationships with the DJs and find out how they are playing the record. Now, there are a few DJs unfortunately that get lost in the shuffle and have forgotten the art of breaking music. Those individuals may need to find a different career.

Second, set a budget aside to do a serious Internet/viral campaign. The Internet is the new “Street Team” approach to breaking records. All of the various e-blast services should be used to service your record. Do not hesitate—set aside about $2500 and make it happen. McDonald’s spends close to $2 million a week to brand and market its product. As an artist, you have to do the same. Generate as much buzz as you can, and Internet hits via tags and blog placements. If I can Bing or Google you and see pictures of your performances, videos, song placements, etc., there are real tangible numbers and stats that can be used to get you that deal you’re looking for. Also take advantage of websites like DJDataLinc.com, which is a site that DJs use to track their club spins (like a BDS for the club DJ). Find out if your DJ in your market is involved with that site, or any other that can give you some tracking information.

Lastly, get in your car, van, truck, or bus and travel to these markets and visit the DJs, the clubs, and the radio stations. This still works! Go to the beauty/barber shops, malls, schools, train stations—anywhere that there’s traffic and work. You will be surprised at the results. Do not be afraid to try something different; that can be the difference between your record jumping off or not. As DJs, we have a lot of tools that we can use to help artists be successful. Look at what you do as a business and not a hobby. Set it up that way, and the results will be what you expect.

 

Derek “The Bigg DM” Jurand

VP/Core DJs Worldwide, LLC

CEO-DMJ Music Group, LLC

 

 

 

 

 

The Game Plan: Dropping Science: Very Important Advice For Upcoming Artists & Producers

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Written by Jesse Atkinson, CEO of Urban Threshold Inc. and Founder of The A&R Power Summitwww.TheARPowerSummit.com and The Underground Music Awards www.UndergroundMusicAwards.com and The Urban Music Explosion www.UrbanBuzzFactor.com

Music requires a sound strategy no matter what genre you’re in. Whether you want to be a classical performer, a jazz musician, a Hip-hop artist, or any other type of performer, you must gain an understanding of the skills needed to establish a long-term career on your own terms.

PLANNING & STRATEGY:

  • The first aspect of any journey into the music business is to actually create a business. Get a business certificate, S-Corp or LLC. Legalize your music company. Get your Tax ID number and open up a small business account at a bank.
  • Get a trademark for your stage name.
  • Copyright Law is the cornerstone and foundation for the entire music industry.
  • The “Poor Man’s” Copyright is a myth. Register your music the proper way with the U.S Copyright Office using either form PA or SR. Log on to www.Copyright.Gov
  • Join one of the performance rights organizations like ASCAP, BMI or SESAC
  • If you don’t have a sense of direction, you will not make it in the music business.
  • Define your career trajectory and outline the steps to get there.
  • Create a plan & set goals as to what you need to accomplish weekly, monthly and yearly. Be progressive, reach bench marks and keep at it.
  • Bigger Battles are won as a result of smaller victories..An effective game plan includes a combination of short term & long term strategies.
  • Your business Plan is your road map to success. Every aspiring indie label or production company should have one.
  • The features of a Music Business Plan include: Mission, Goals, Target Market, Marketing Strategy, Revenue Streams, competition assessment, Break Even Analysis, Expected Sales & Management Team
  • Every artist or producer should have a “Mission Statement.” A well defined “Mission Statement” focuses your energy & clarifies your purpose.
  • Being an artist or producer is a “business” just like any other, and it should never be treated as anything less..
  • Would you open a store without any investment capital? So, what makes being an indie label or production company any different?
  • Every hustler knows that it “takes money to make money.” So stop asking for hand outs. If you believe in yourself, then invest in yourself.
  • As an independent artist, If you can sell 10,000 records & tour on your own, then you really don’t need to be signed to a major label..
  • Nowadays an artist has to be like a politician. You have to have a platform and an agenda. And you must get out there on the campaign trail..
  • Every album release should have a Marketing strategy, Promotion implementation, Breakeven Analysis, ROI Assessment, weekly & monthly sales projections.
  • Do your due diligence, study the pros and cons and evaluate the R.O.I (Return On Investment).
  • The home boy way of doing things will not cut it in today’s music industry. Always utilize contracts & split sheets to avoid problems..
  • Get your merchandise together to brand yourself like T-Shirts with your name or logo on them.
  • R&D – Research & Development is essential for the continued growth of any company.
  • Make sure you have a Twitter, Facebook and Myspace Account
  • Equally important, it’s imperative that you get professional high resolution photos completed for media positioning, press and publicity.
  • Additionally, try to build relationships with people outside of the music industry like in the fields of film, fashion, finance or video game production.
  • And even if you’re in the Entertainment Business you should still study Wall Street to see how Money, Investments & venture capital operate.
  • Instead of reading a lot of these music blogs all of the time, I would advise aspiring music moguls to read magazines like “Black Enterprise” or “Forbes”.

MARKETING

  • No matter how good your music is, you must create and steadily increase consumer demand for it in order to continue to prosper.
  • Who is your target market? In order to market your music, it is imperative that you tailor your marketing and sales efforts to specifically reach the segment of the population that will most likely buy your music.
  • It is critical that you first determine or clearly identify your primary market. Your energies and funds then can be spent more efficiently.
  • You have to determine what is your USP (Unique Selling Proposition). What is it about you or your music that separates you from the competition?
  • Most unsigned artists just want to perform & nothing else. They give little thought to any other marketing strategy or career enhancement.
  • Many Producers don’t get placements because they don’t market themselves well, they don’t network & they don’t take meetings..They do a few beat battles, pass out a few beat CD’s and call it a day.
  • Some artists spend hundreds of dollars on studio time to create an album, but will not allocate a dime to a marketing budget to promote it.
  • Performing in showcases only & sending out a bulletin on Twitter or Facebook twice a week about your album or mixtape is not an effective marketing plan
  • An effective marketing plan includes: Press/Publicity, Radio Promo, Video Promo, E-Blast Implementation, Shows/Tours, Online Promo, Press Releases & Street Team/Club Promo
  • Merchandising is an essential element to any successful marketing plan. The biggest mistake an artist could make after playing a great show is to have nothing of any interest for sale immediately afterwards.
  • It’s imperative for indie artists to compile a comprehensive email database of fans, supporters & affiliates for E-blast marketing purposes.
  • Indie Artists should send out a bi-weekly Newsletter informing their fans of new releases, upcoming shows, merchandise for sale & give aways.

BRANDING

  • The “music business” has been transformed into a “Multimedia & Branding business” where the music, the songs & artists are the drivers.
  • You’re in the business of “YOU”. You’re a brand & how you manage your brand is important. How’s your customer service? Your marketing? etc.
  • Nowadays it’s no longer just about selling CD’s; It’s about brand development & selling “Content” & conveying the mission of your movement.
  • As an indie artist or producer, one of the best ways to expand your brand is to partner with a Non-Profit organization for a worthy cause.
  • Strategic Branding Plus Positioning Equals Increased Sales & Greater Market Share! An effective marketing plan gives you a competitive edge.
  • The value of a brand resides, for the audience, in the hope that the product or service will deliver what it promises.
  • The term “Goodwill” reflects the “prudent value” of a label or firm beyond its assets, such as the reputation it enjoys with its clients or fans. Are you “Goodwill Hunting?”
  • Your brand is what your company stands for & what it’s known for. If you can’t define your brand, your customers won’t be able to either.
  • “Your fans must either want to be you or believe you. You must know your target market & your music has to resonate with them” – Lenny S

SONGWRITING

  • Cinematic, Motivational, Memorable, Exciting, Different & Passionate. Those are the elements of a classic album.
  • Hit songs have an inevitability about them and they can change the atmosphere of a room instantly..Try to Create songs that can take you to the next level with in 30 seconds of hearing the intro.
  • Great song writers write songs that fuel desire, inspire hope, break hearts, unite people or just make you want to dance.
  • Some artists forgot what it was like to be a “fan” of the music and it shows in the stagnancy of their songs..
  • The Music Industry is not dead, people just want to hear good music instead of the one dimensional form of music that they’re being force fed.
  • Music is an “art” & when you treat it strictly as a business you get “Fast Food” or shall we say “Fast Music” with little substance.
  • Some artists should focus on creating a niche market for their music, instead of trying to sound like everyone else they hear on the radio.
  • Nowadays, It’s important that artists make music that can cross regional boundaries. Your music should translate above & beyond your hood.
  • There is no time limit on the creative process. Don’t try to “Rush A Hit”. Take your time & make sure the song meets certain musical standards.
  • Fiction is defined as an imaginative creation or pretense not based on reality. It appears that 75% of rappers nowadays are fictional writers.
  • It’s wise to get critical feedback about your music from people outside of your circle.
  • Indie artists often get tired of a song once they make a new one. But if everyone thinks that your old song is a hit, then keep promoting it.
  • Just because you’re on the underground does not mean that you should put less effort into mixing and mastering your songs.
  • A good engineer can take your music to a new plateau and give you a crisp sound. He or She has the ability to create, scrutinize, critique, modify, shape and control the details & sound quality of your music.
  • Often times a “great” song can lose its quality and explosiveness due to a poor mix and mastering.. So choose your engineer wisely.
  • And pay Producers what they are worth…They have a business just like you.

ADVICE FOR PRODUCERS

  • “Now more than ever, it is important that producers be musically inclined (be able to play at least one musical instrument professionally)” – Quincy Jones
  • Be open minded and versatile with your production.
  • But, Try to develop a signature sound.
  • Always make beats with an MC in mind. Ask yourself, “Does this sound like Busta joint or a Nas joint?” That’s the best way to build up your catalogue.
  • Go to as many Music Conferences & Seminars as you can to build connections.
  • Reach out to Artists or A&R’s on Twitter and ask them for an email where you can send them beats.
  • Find a few dedicated and hardworking dope upcoming MC’s and Singers and produce for them.
  • Make Youtube Videos showing yourself making beats.
  • Promote your brand and invest in a marketing strategy that includes Online Promo, PR/Publicity, E-Blasts, Video Promo, Radio interviews, Press Releases, Street Team/Club Promo.
  • Enter Beat Battles.
  • Research and understand the importance of music licensing.
  • Create your own website and put Beats online for the world to hear.
  • Do Contests where you give away some beats for free.
  • Do Remixes of popular songs and Mashups.
  • Lease Beats to upcoming artists ranging from $50 to $300 per lease.
  • Create a mixtape series featuring upcoming artists rapping or singing over your beats.
  • Build relationships with people outside of the music industry like in the fields of film, fashion, finance or video game production.
  • Reach out to the music supervisors of MTV, BET and VH1 and send them beats.
  • Reach out to the music supervisors of ESPN or other sports networks and send them beats.
  • Take as many A&R meetings as you can to shop your tracks.
  • Put together a Bi-weekly Newsletter about your production.

SHOWCASING

  • Showcasing gives you the opportunity to create a personal bond with your followers and it gives you the visibility to expand your business.
  • Showcase Necessities: Always bring a back Up CD, business cards, flyers or promo material & an appointed person to collect emails or sell merchandise.
  • Four Basic tips for improving your stage show: Make a memorable entrance, connect with the crowd, engage the crowd & make a memorable exit.
  • Whether your audience is 50 or 5000. Go hard or go home! Never slack when you hit the stage.
  • Showing up fashionably late to a showcase only makes you look bad and it causes people to question your level of professionalism.
  • It’s important that you select a hype man who complements your style and who adds value to your performance.
  • In most cases, bringing 50 dudes on stage with you while you perform, does little to enhance the value of your show.
  • All great performers rehearse and practice. If you want to perfect your stage show, it is imperative that you take time out to rehearse.
  • In case of technical difficulties during your set, do not become alarmed. Use the opportunity to promote your website, album or mixtape. Also utilize the time to perform a brief freestyle or acapella until the technical problem is fixed.
  • Holding the microphone correctly is essential, especially for rap artists. Never cover or hold the top of the mic when performing because it will cause your vocals to sound muddled and distorted.
  • Be mindful of who you surround yourself with, because often times it’s the non talented person in the crew who causes the most trouble at an event.

MUSIC VIDEOS

  • Now more than ever a visual presentation is important for the growth and survival of a business and for the development of a music artist.
  • Making a music video depicting you standing in front of a luxury car with fifty dudes behind you and the projects as a back drop is becoming cliche’ and played out.
  • Your music video should be imaginative & creative; it should capture the essence of your song.
  • Recently, I saw a music video for an R&B/Rap love song by an unsigned artist and it had dudes mean mugging the camera holding Pitbulls..SMH.. It just doesn’t make sense!

ARTIST DEVELOPMENT

  • The major labels need to start investing in Artist Development again & look to groom long term stars instead of short term fads.
  • Having no artist development is like making a movie with out a director..The artist development team brings out the best in an artist..
  • Artist Development involves: training with press relations, Stage presence, fashion, image, Brand formation & star quotient implementation.
  • Artists and producers must develop a strategy to enhance the price of their “commodity” and magnify the intrinsic value of their art.
  • To truly develop as an artist or producer, you have to study your craft. Don’t freestyle your career!

Revenue Streams

  • What is the projected revenue for your indie label this year? This is what you should be asking yourself. Then formulate a plan to get there.
  • If you can’t find a way to convert your huge buzz into a revenue stream, then you’re just a well known indie artist with diminished returns.
  • It is very important that every artist and producer know and learn the multiple revenue streams in the music business. Some of the Music Biz Revenue Streams include: CD Sales, Digital Download Sales, Merchandising, Tour Income, Licensing Revenue, Publishing income, Ringtone Revenue, Endorsement Deals and Sponsorship Revenue.

YOUR TEAM

  • A great individual effort can win a game, but it takes a dedicated team to win championships.
  • Often times you will find a “Judas” in every camp…beware of those individuals and try to root them out early if you can.
  • Try to surround yourself with like minded, goal oriented individuals who see your vision and who genuinely want to see you succeed.
  • Three very crucial members of your team include your Manager, entertainment lawyer and accountant.

TACTICAL MANEUVERS

  • If you approached your indie label like it’s the only means for you to pay your rent, you’ll find innovative ways to sell your music.
  • If you’re going to give your music away for free, at least have some other content or merchandise that’s part of your brand that can be sold.
  • Stay ahead of the curve & innovate. The music business is in the process of being reinvented with newer & more dynamic revenue streams.
  • In every other industry, the customer comes first. It’s imperative that you focus on customer service and give your fans what they want.
  • If you’re networking in the same circles over & over again, then that’s how far you will go. Think outside of your circumference.

THINGS TO REMEMBER

  • True Talent will always trump technology.
  • The music business is a “relationship” business.
  • In everything, Patience is Key!
  • If you can’t take constructive criticism, then you will never perfect your craft.
  • Being broke is only temporary; being poor is a “state of mind.”
  • No matter how talented you are or how well connected you are, at the end of the day it all boils down to your work ethic..
  • Support your underground radio shows. Advertise with them and promote them. For some of you that’s the only airplay you will receive..
  • It doesn’t make any sense bringing “50 people” to the Studio with you, especially if they are not going to contribute to the creative process. Leave the crew at home. You’re there to work.
  • Observe situations from a bird’s eye view instead of a worm’s eye view..Analyze the bigger picture & weigh the benefits & consequences.
  • Everyone has an agenda, whether it is hidden, upfront, positive or negative..Remember that!
  • The Best Path To Failure is to try to please everyone.
  • Never let anyone talk you into not believing in yourself.
  • In the music Biz, before you can make “Demands” you have to be in “Demand.”
  • If after 5 years you have not found a way to generate a profit from your Indie Label, even the IRS will tell you to declare it a hobby.
  • There are (3) kinds of people in this world; those who watch things happen, those who make things happen and those who wonder what happened?
  • Success is a “relative” term. What you may define as success may be viewed as mediocrity to someone else. So don’t step on other people’s dreams.
  • Sometimes being a “boss” means you’re going to take a “loss”.. Be prepared & surround yourself with understandable & trustworthy people.
  • What good is a distribution deal without a marketing budget and promotional strategy?
  • Most indie artists have been conditioned into giving their music away for free.. If the music good & marketed right, then it will sell.. Have faith in yourself and your product!!
  • There’s a big difference between “Let’s Do Business” and “Can You Do My A Favor?”.. Sadly, some people confuse the two.
  • Keep accurate book keeping and make sure you pay the taxes on earnings generated from your music endeavors.
  • A true leader espouses humility and puts the best interests of his/her team first.
  • Practice and take notes regarding press inquiries, because you don’t want to make yourself look like a fool during a major interview.
  • Honesty, Integrity, Dignity, Respect, Humility & Goodwill are essential elements for sustained success.
  • A Single lie discovered is enough to create unwarranted doubt over every truth expressed.
  • The person who brings gossip to your doorstep is the same person who talks about you behind your back when you’re not present..
  • Sometimes the journey to success is a lonely road, because many of your associates often leave your side before you reach the top..
  • If you say you’re going do something, just do it. You can easily find an excuse not to do something.
  • Remember These Three words: “Multiple Revenue Streams.”
  • Nowadays, Artists must be self motivated and entrepreneurial. If you’re not excited about your music, then how do you expect any one else to be excited about it.
  • Prayer + Positivity + Planning + Productivity = Profits
  • Surrounding yourself with inspirational and creative people will raise the level of your artistic endeavors.
  • Be original.. Elevate and inspire! Don’t live in the shadows of someone else’s legacy. Create your own path.
  • ‎Remember that GOD gave us people to love and things to use, not things to love and people to Use!
  • Everybody’s situation is not the same. So don’t compare yourself to others. Set your goals, stay in your lane and operate at your own pace. Don’t let other people define your success.

HIP HOP

  • The underground is what keeps Hip Hop Alive…The underground is what gives Hip Hop it’s vitality.
  • Hip Hop artists are in the unique position to influence others with their mere words alone. Now that’s power!
  • There’s a big difference in being an “Emcee” and being a “Rapper”.
  • An Emcee embodies the heart of a rapper, but a rapper can never embody the soul of an Emcee.
  • For a lot of youth who don’t have proper parenting, Hip Hop serves as a step parent, so to speak, molding & shaping the minds of tomorrow.
  • Behavioral scientists have concluded that music affects one’s actions & thought patterns. It can affect the way one talks, dresses or reacts.
  • Sadly, many elements within Gangsta rap today draw parallels to the dehumanizing images portrayed in DW Griffith’s “Birth of A Nation.”
  • Many rappers have sacrificed their moral integrity in order to chase the illusion known as the American Dream – Stay true to yourself!
  • Find a cause or venture that requires you to give back: Self sacrifice & duty to your community is essential – it’s Bigger than Hip Hop!
  • Ask not what Hip Hop can do for you…Ask what you can do for Hip Hop… Keep the culture Alive..

INSPIRATION

  • Gold is molded in the Fire and Greatness is molded in the furnace of adversity.. Overcoming hardship builds great character.
  • The Road to Victory is paved with humble submission to the Most High!
  • If you think big, then you’ll get big…If you think small, then you’ll stay small…Sometimes it’s as simple as that..
  • Pursue Excellence and success will follow!
  • “Look at things you lack as opportunities to be creative and not failures or deficiencies. Necessity is the mother of invention” – Julia Beverly
  • Passion, Planning, Prayer, Drive, Faith & Determination = Success
  • Instead of counting your days, try making your days count..
  • In order to succeed, your desire for success should be greater than your fear of failure.
  • ‎”It does not matter how many times you get knocked down, but it’s how many times you get back up that counts.” -Vince Lombardi
  • “If you want the rainbow, you have to put up with the rain.” – Dolly Parton
  • Without a clear purpose, life is motion without meaning and activity without direction.
  • A sense of purpose inflames a deep passion to overcome all obstacles in our way.
  • It’s time to roll up your sleeves, send up a prayer, raise some capital, formulate a strategy, develop a team & execute your plan.
  • It’s amazing what you can do, when you don’t have the things that you feel you need to get by – Believe in the power of your skills.
  • Make sacrifices for your dreams without bargaining your soul.
  • Be more concerned with your character than your reputation. Your character is who you are & your reputation is who people think you are..
  • The “Live Fast Die Young” mentality is dangerous..Instead of focusing on living “The Good Life” just try living “A good life” with morals.
  • “I know it seems hard sometimes, but remember one thing, through every dark night, there’s a bright day after that”….Tupac Shakur
  • “No matter how hard it gets, keep your chest out, keep your head up and handle it.”… Tupac Shakur
  • Positive thoughts bring Positive Results and Negative thoughts bring Negative Results…It all begins in the mind.
  • Positive Energy is Contagious..
  • Art, whether it’s music, poetry, painting or dance, is not only a form of self expression, but in a way it defines our humanity..
  • “Through all of the the rain and the pain, you got to keep your sense of humor. You gotta be able to smile.” – Tuapc Shakur
  • L.I.F.E. = Living In Faith Everyday
  • This is your time. Seize the moment. You are blessed and you don’t even know it.
  • Create your legacy. Live your legacy.
  • Every day may not be good, but there’s something good in every day.. Salute To the Gift of Life… Let’s make it happen!!!

The author, Jesse Atkinson, can be reached at Promoradio247@gmail.com

 

Blip.TV – Syndicate Video Content – Make Money

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blip_tvIn today’s world where content is king, the most highly sought after content is high quality video.  Many artists invest significant amounts of money to create great music videos for their fans, without realizing they have produced great content that can generate significant revenue.  Gone are the days where Music Video budgets are just thrown away as promotional expenses, an expense that was traditionally split between the label and artist, with half the cost being recouped on the artists project.  Now with the age of VEVO and YouTube partners music videos are generating billions of impressions and millions of dollars for the owners of the copyrights.

Independent videos can be monetized as well if they can create a significant viral presence…this is where Blip.TV comes in, it is a very simple Web 2.0 platform that allows you to manage your video distribution across 20+ platforms, including Vimeo, YouTube, iTunes, Facebook, Twitter, etc.  With just one upload your video is syndicated across all these platforms, also with the ability for advertising revenue to be generated.  With a loyal buzz and small budget videos an artist, label, or brand can now easily sydicate and monetize videos using the internet and the digital age.

Check out the video I just uploaded from our convention using Blip.TV

So You Got Your Major Feature…Now What?

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In Urban music most new artists want that “Hot” feature on their record.  That is all well and fine, but let’s start with the basics of getting the single ready for the feature.  If you have taken the time to produce and write a hit song on your own, then a feature should only add to the single and not make the single.  Have you taken the time to edit and mix the record to the best of your abilities?  Do you have the pro-tool files of the session or track? (did you 2 track the song and think you can just do it that way?…that’s another column) If you do, then you have the right foundation and building blocks to create a great song with a great feature.  Always record with a tracked out beat verses an audio file. Trust me you will save time and headaches later.

I know that Lil Wayne, Gucci and OJ have done so many features and mixtape features that there was and is an anticipation of their records…not the indie artist, nor yours.  So think about that when you choose a feature. Yes you want someone who it hot, but you really want someone who will compliment your style, swag and song.  Remember they are already stars, you are the one that must stand out.  Make sure you shine positive and not negative.  But, if you are determined to have a feature, you need to protect yourself, money and future career.

Example:

So artist XYZ has laid his/her hot verse on your single.  You paid the money and they are on their way out of town. You think you are good because you have the session files and a phone number.  Hmmm … not at all.  What you have is noise recorded in a studio until you have the rights to put the song out.  Just because you paid for the verse does not mean you have the rights to it.  Most major artists have granted rights to all master recordings of them to whatever label holds the contract on them.  If you did not get paperwork in order prior to this then you have to get it taken care of before you can launch the single or album with artist XYZ on it.

What you will need:

To start with you will need a side artist agreement.  This is an agreement between you ( artist or company) and the featuring artist.  In this agreement you need to state what you expect from the artist regarding the song, rights, money, splits, marketing and promotion rights, and label clearances.  If you plan on shooting a video and want the artist in the video, you need to state that as well.

Next you want to make sure you do a song split sheet.  This should be stated in the agreement with the artists regarding how much of the publishing/ownership of the song they will want.  You will need this so that when you register the song from copyright purpose as well as with your PRO (Performance Rights Organization) you can have people paid properly.

Finally you will need a Record Company Wavier of Liability.  This is a document that the label will sign that gives you the final rights based on the agreement that the artist agreed to in the Side artist agreement.  This is a document even more important than the Side Artist.  This allows you to market, promote and earn revenues on the song you spent so much on.  If this document is not in place, you run the risk of the label sending you a Cease and Desist on your record.  That could mean all the money and work you put into the song would be down the drain.  Protect your assets.  Get your administration in order.

The person you should be focused on is the manager or the artist.  They are paid money from the artist to make sure all business is taken care of.  Enjoy your time with the artist, but make a good connection with the manager or assistant that is at the session with the artist. They are who you will be dealing with to finalize your paperwork and help get the label to finish what needs to be done.

Remember:   Black and White = Green!!!

Janie Jennings

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Read more from Janie at www.industryworks.org

New Music Seminar 2010 | NYC | July 19-21st

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NMS-300x250The New Music Seminar was a legendary event, slated to return for the first time in 15 years in New York City for a few days only. Tom Silverman of Tommy Boy Records started the seminar in the eighties to define where the industry was going, now he restarts the conference with the same mission, at a critical time for all in the music industry.

Join me and the rest of the Coast 2 Coast Mixtapes team for days filled with learning and defining what the “New Music Industry” will be for us and our children.  We have partnered with some of the biggest names in the industry today to bring everybody to one place and discuss what will define our future.  Please take a moment to explore the site and partners, and also they have given me an exclusive promotion code for 2-for-1 passes! Use the discount code: “NMSNY10″ on the official site www.NewMusicSeminar.com

What the New Music Seminar IS about:

  • Seeing the music business and your opportunities a new way
  • Learning to create the music and content you need to succeed
  • Standing out from your competition
  • Legal and business basics that you must know
  • Keeping up with the latest technology to put you in front
  • Managing and monetizing your relationship with your fans
  • Networking with others to build your own music business foundation

A&R Uncut – What’s Your Gimmick?

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If your initial response to the title question is “I don’t have one”, “I don’t need one” or even “I don’t want one”, then you should definitely reevaluate your goal to be successful in this business and consider a career checking vital signs or flipping burgers; because a gimmick is the second most important necessity in the path towards being a Star or even just a successful musician.  One of the most important things an artist can do is exploit a personal characteristic other than the service they provide (i.e. sing, rap etc.) to gain an advantage over the competition, a gimmick.

If you really take the time to observe all of your favorite artists and music’s biggest acts, they all have succumb to this task that many fear compromises the integrity of their creativity.  This is where you have to ask yourself whether you want to write and record music for your personal listening pleasure or whether you want to have thousands of fans and make a lasting career out of it.  If it makes you feel any better… you should know that understanding yourself as a person and a musician is really the only way that you can truly isolate this character that has earned many artists a cult following.  The ability to harness this characteristic, nurture it and know how to project it is merely an extension of your creativity and is actually a gift that separates the wannabe musicians from the true stars.

The average person has one or more personality traits or characteristics that separate them from other people.  It could be anything from your swag, to your voice or even your interesting sense of style.  For some artists it’s the characteristic about you that people actually hate.  For example, Kanye West exploited his arrogance and became the guy that people love to hate which drew attention to him and gave him an advantage over his competition (side note: need to know when to turn it off).  Another artist great at self-exploitation is Lady Gaga.  She exploits her performance skills and ability to be theatrical to stand out from other would-be pop stars in music.  We could look back to artists such as Ray Charles and Stevie Wonder.  Although both were extremely talented, their gimmick was that they were THAT talented and void of eyesight.  These exploits are what make people notice you in a room full of pianists playing the same piece.   Now to add credit to the above acts, they are extremely gifted musicians and at the end of the day it will always come back to the music, but your marketing and self promotion is the driving force to delivering this gift to the world.

How do you find your “Gimmick”?  Write a list of the things you most admire about yourself or the one thing that people point out about you all the time whether you like it or not.  For example, if everyone says “you are such a bitch” then that is probably you’re “Gimmick”.  It could be a physical attribute; rarely it is but could be.  But in most cases, your inner self dictates your outer being.  So maybe you are flamboyant and aggressive.  Find a way to express that in your music, your clothes and your performances.  Make sure your team understands and knows your “gimmick’.  Once you isolate this character hold onto it, be this character all day, at work, at home and in the bed.  If your gimmick is a superhero, sleep in your cape.  Use it all the time until it becomes second nature.  Your “Gimmick” needs to come naturally.

Understand that just because you are forcing your “gimmick” does not mean it is not natural.  Sometimes we spend more time suppressing who we are by trying to be who we are not because we want to fit in.  Everyone can spot a phony…so the worst thing you can do is try to swag jack.  Most of the unsuccessful artists or one hit wonders were just that because their swag was not convincing.  For example, a rapper I am closely familiar with released a record that went on to sell thousands of downloads and ringtones.  When he went to release his second album that revealed his true creative ability and his natural swag, it was rejected by the masses.  Yet, that was him at his best and pretty dope, if I say so myself.  Some artists go in for a quick save by recruiting a team of people to help identify their “gimmick” and come up with great ideas that would make it visible to others.  For example Rihanna went from being a colorful soft spoken Caribbean girl closely resembling Beyonce to this hard-core edgy chic that releases music that challenges her competition with every release.  She pulls it off because it was already there but it took people around her to draw it out and find a way to make it work.

So if you don’t know your “gimmick”, step away from the microphone… slowly.  Archive all of the songs you have recorded before you read this article.  Find yourself and start recording again.  Put it in everything you record.  If that means your songs become a fusion of hip hop, rock, punk and soul, push it until it feels right.  As a creative person your job is to be a bit crazy and eccentric, so recruit a sane person to organize the mess you created.  Trust you will be amazed with what you discover is the real you.

MobBase – Simple and Cheap iPhone Apps for Musicians

MobBase

MobBaseMobBase is a great platform that allows artists/bands and more the ability to easily and very inexpensively create a custom iPhone Application with streaming music, news, shows, purchase links, photos, videos and much, much more.  The dashboard is very easy to use and allows you to create a custom app in a matter of hours and then submit it directly to the iTunes App Store.  MobBase then takes care of all the accounting and statistics and the app keeps all your fans updated!

According to MobBase designing your app is easy:

Using your MobBase dashboard, you can add, manage, and update your app’s content in real-time. Pull in digital goodies like your videos, photos, news, and tweets, add MP3s, and link fans to your merch store. Add as much content as you like before you launch your app, and then keep fans engaged by adding more content once it’s live. Your fans will get these updates the next time they open your app.

We are in the process of creating and submitting an App for Coast 2 Coast Mixtapes that will not only stream music, but more importantly keep fans updated on all the new releases through the News feed feature, sending mixtape releases directly to fans on their mobile devices.

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Rhythm J’s ASCAP Guru Session #3 – 9 Commandments of Title Registration

Welcome back ASCAP members and future ASCAP members.  Now that we have Writing and publishing out of the way (See Guru Sessions #1 and #2) we can focus on what gets us money n the first place… The MUSIC!

ASCAP - We Create Music

TITLE REGISTRATION

Probably the #1 reason why music makers don’t make any ASCAP royalties even if they are getting substantial radio and TV play:  You didn’t register any titles… It’s a sad world we live in sometimes… It’s like winning the lottery and you threw out the ticket.

“How do I register titles?”.   Don’t laugh, you’d be surprised how many times I hear this daily…  I shouldn’t get any more calls on this either… Link to Title Registration – for current members only:  http://www.ascap.com/cwrreg/login.asp

YOU WILL NEED YOUR MEMBER ID (aka Member Code, Member Number, Card Number etc) to register titles.  If you have never done this before click on Create Your Account

“But I’m a member already” – Yea no $h&%… create a password so you can get into title registration…

Once on that part of the site ad your password is set up, you will need to enter the following things:

Title of the song

Who are the writers

Who are the publishers

How much is everybody getting?

9 Title Registration Commandments

“Follow these rules you’ll have mad bread to break up” – that is if these songs are actually being played substantially.  Don’t go calling ASCAP all angry because you didn’t get your royalties for your video that played for 5 seconds on public access.

  1. “When I submit my titles am I copywriting/ legally protecting my music?” NO!!!!!! To copyright your music go to www.copyright.gov This is the Library of Congress in Washington DC – this will hold up in court.  And that “poor man’s copyright” that probably won’t hold up against attorneys – sorry to disappoint you.
  2. Include everybody on the song who contributed in the creation of it (see the definition of writer ASCAP Guru Session 2)…  The percentages should be written down on some form of a split sheet and have all writers agree to the percentages.  A split sheet can be found by doing a simple web search.
  3. Please don’t try to be slick, pull a fast one and not include someone on the song if they contributed – all they have to do is call ASCAP and see if they are included on the work, so there’s really no use hiding the truth from them if you attempt to jerk someone.  It will make the industry better too, and a lot less ignorant.
  4. Make sure everybody has a writer and publisher (or) publisher administrator (depending on their deal) account established.  If they don’t, they can’t collect their royalties.  (See Guru Session #1)
  5. Make sure you know what the percentages are… There are countless cases of “oops I thought I was getting 15% not 10%” that cause a royalty distribution traffic jam because someone didn’t want to call their fellow writers and make sure.  The gift and the curse of title registration is that anyone can register a work.  But if you send in something that has you at a certain percentage and Warner Bros sends in something that has you at a lesser percentage and with 3 more writers on the song that you forgot to add, you are going to delay everything for everyone.  So if you’re unsure, ask somebody you collaborated with what the shares should be, and when you ARE sure, call them again… just to make sure
  6. If there’s a discrepancy in shares, the people in question have their funds frozen until it’s sorted out.  “Does ASCAP protect me if I’m gettin jerked?”  Nope… That’s what lawyers are for.  ASCAP will only ask everyone “ok fellas which share list is correct?”. If there’s a dispute you need to handle your business.
  7. “How much do the artists get?”  If they didn’t write anything?  Nothing!  They get money from shows when the writers don’t… why should they get any writing royalties, they’re just singing what you wrote.   This is why being a songwriter and performer is a plus.
  8. READ.  There are guidelines on how to register titles – it’s pretty straight forward.
  9. No CDs no mp3s… just titles.  ASCAP finds your titles based on radio and TV playlists and cue sheets.  Make sure to list the artist or band under “performing artist” even though they are not getting paid as an “artist” it’s easier to search.

This concludes the ASCAP knowledge for now…

Check the ASCAP Expo which is right around the corner, Quincy Jones, Just Blaze, Bill Withers, Dre and Vidal, plus 100s more will be in the building.  Get to know your fellow ASCAP members!

ASCAP I Create Music Expo in LA April 22.-24 http://www.ascap.com/eventsawards/events/expo/

Producers, you can also submit for the iStandard Producer Showcase at the ASCAP Expo http://www.ascap.com/eventsawards/events/expo/2010/istandard.aspx

Can’t make it to LA?  Submit beats to be in the iStandard Producer Showcase in NYC, PHI, CHI, LA, MIA, Boston or the city near you.

http://www.istandardproducers.com/index.php?t=show_submit

iStandard

Hit me on twitter @RhythmJ for any ASCAP Guru questions you may have.

Rhythm J

www.rhythmj.blogspot.com

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